My ‘cutting-edge’ work happens, unquestionably, in LABORATORIES, from where a whole series of performances, magnificent collaborations, have emerged. I call these Folies à Deux: intertwined transfers towards what is perhaps my main goal: psychological creativity. My role: laboratory director, the one Alchemy called ARTIFEX: artificer, catalyst and, why not, shaman: « You are a shaman as long as your luck lasts » (Roberte Hamayon). With age I seem to be getting luckier. This is beautifully described by Florence Derail in an email that ends like this:

« This workshop-Laboratory:
– is not a therapeutic place – despite the benevolence that prevails in them,
– it is a place where each participant, whatever his or her possible initial blockings, is placed in a state of hyper-creativity and hyper-receptivity, where intuition grows at a very fast pace.
– It’s a laboratory in the strongest sense, a place of experimentation [for whom? For everyone, including Enrique Pardo.] »

And THE VOICE in all this? I like an (indirect) definition by Giorgio Agamben: « Listening to the voice in speech, is what thinking is all about ». I also go along with Roy Hart’s favorite quote: « The voice is the muscle of the soul », after H. W. Longfellow. I say that I could be one of Roy Hart’s top lawyers, of his life, work and philosophy – while not necessarily agreeing with everything he did or said, especially fifty years later.   EP