Training Cycle

FRANCAIS

Psyche's Task

Training Cycle 2022

Voice Peformance - Singing - Movement

The 2022 Cycle titled Psyche's Task will be directed by Enrique Pardo

in coordination with Linda Wise and the Paris and International Circles

Programs Organizer : Debora Balardini (NY) dbalardini@gmail.com

every FRIDAY

from February 4 to April 22 7pm to 9pm

it includes 12 Laboratories and 2 Talks in French and English

and 2 OPEN DOORS free sessions January 14 and 28 CLICK HERE

Onsite & Online

The work is done simultaneously in onsite at STUDIO DTM in Paris and via ZOOM online: we tried it and it works!
However, we advise you to take a trial class to see if the formula suits you.

STUDIO DTM

6 rue de la Folie Méricourt, Paris 11e M° Saint Ambroies et Richard Lenoir

Enrique Pardo / Linda Wise

Due to health reasons, Linda Wise will be less present in Pantheatre training in 2022.

Enrique will direct the 2022 Cycle including Linda's vocal and musical work, with the help of Chilean pianist Ariel Lopez and other Pantheatre & Roy Hart Teachers

Cycle 2022 is OPEN TO EVERYONE: what counts above all is an open mind and a taste for risk. It is much more a question of personality, quality of listening and expressive risk than of technical know-how (musical, actoral or dance), which are of course very welcome.

See interview of Enrique Pardo (in French)

filmed and edited by Didier Monge

DEFINITIONS
The 2022 Training Cycle will be based on the LABORATORY formula created and practiced by Enrique Pardo over the last thirty or more years, and inspired by the writings of James Hillman and of Paul Kugler. It is a synthesis of movement, gesture, dance, on the one hand - and on the other, voice performance (the inclusion of the Roy Hart's voice work), with choirs and music. The synthesis we call CHOREGRAPHIC THEATRE Also a framework of TRANSMISSION (artistic and pedagogical) in shared research with collaborating artists: dance, clown, music, etc.	Singing and Voice interpretation Linda's teaching by Enrique with the pianist Ariel Lopez Between us and with a grain of salt, we say that Linda works more with MELODIA, and Enrique more with MELODRAMA. Both include singing in their work, as well as the voice work inherited from Roy Hart. Enrique will work mainly on the notion of VOICE PERFORMANCE, and, with Ariel Lopez, the work of improvisation on songs, including the melodic and harmonic accompaniment on the piano.

DEFINITIONS

The 2022 Training Cycle will be based on the LABORATORY formula created and practiced by Enrique Pardo over the last thirty or more years, and inspired by the writings of James Hillman and of Paul Kugler.

It is a synthesis of movement, gesture, dance, on the one hand - and on the other, voice performance (the inclusion of the Roy Hart's voice work), with choirs and music.

The synthesis we call CHOREGRAPHIC THEATRE

Also a framework of TRANSMISSION (artistic and pedagogical) in shared research with collaborating artists: dance, clown, music, etc.

Singing and Voice interpretation

Linda's teaching by Enrique with the pianist Ariel Lopez

Between us and with a grain of salt, we say that Linda works more with MELODIA, and Enrique more with MELODRAMA. Both include singing in their work, as well as the voice work inherited from Roy Hart.

Enrique will work mainly on the notion of VOICE PERFORMANCE, and, with Ariel Lopez, the work of improvisation on songs, including the melodic and harmonic accompaniment on the piano.

LABORATORY
The original notion of LABORATORY comes from afar, and in particular from Alchemy: the experimentation of the links between matter and imagination. A notion renewed by Jerzy Grotowski in his famous Laboratory Theater. We are in this lineage - updated by the archetypal (and alchemical!) thinking of James Hillman. See a 'classic' example of an Alchemical Laboratory, of the "family" type (the whole family at work) LABORATORIO.	All the practical work has a strong theoretical aspect. Alchemy clearly said that the Laboratory could not be fertile without the ORATORY: lectures, seminars, bibliography in CULTURAL STUDIES, especially in relation to mythology and the notion of magic. Eventually, participants are encouraged to consider montage-performances on the principle of FOLIE A DEUX, including presentations (in progress or 'finished') during the Myth and Theatre Festival or at Studio DTM in Paris.

LABORATORY

The original notion of LABORATORY comes from afar, and in particular from Alchemy: the experimentation of the links between matter and imagination. A notion renewed by Jerzy Grotowski in his famous Laboratory Theater. We are in this lineage - updated by the archetypal (and alchemical!) thinking of James Hillman.

See a 'classic' example of an Alchemical Laboratory, of the "family" type (the whole family at work) LABORATORIO.

All the practical work has a strong theoretical aspect. Alchemy clearly said that the Laboratory could not be fertile without the ORATORY: lectures, seminars, bibliography in CULTURAL STUDIES, especially in relation to mythology and the notion of magic.

Eventually, participants are encouraged to consider montage-performances on the principle of FOLIE A DEUX, including presentations (in progress or 'finished') during the Myth and Theatre Festival or at Studio DTM in Paris.

CONDITIONS & PRICES You will be able to see the work in the studio on your screen, and you will be seen via a projection on a large screen. You will be able to do voice, text, and movement work (e.g., two people singing on site while you dance; or vice versa, and other variations.) Check the recommended equipment, especially audio.
ONLINE PRICES (ZOOM) For Paris on-site participation at Studio DTM, click LINK
Nature of Payment	Price	Notes
Full Fee	600€	Includes 12 sessions plus 2 talks.
Discount Fee	450€	Payment plans and student discounts available. Contact Debora Balardini (NY) dbalardini@gmail.com
Observer / Talks / Trial Session

FOR ONLINE PARTICIPATION

REGISTRATION

FOR PARIS ONSITE PRICES & REGISTRATION CLICK HERE