Myth and Theatre Festival
Workshops / Performances / Lectures / Exhibition |
2015 theme: |
Performance & Possession |
Figures of a Contemporary Shamanism |
including a Hommage to the Philosophy of the voice of Roy Hart
on the fortieth anniversary of his passing
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July 1 to 12 2015 |
Malerargues - Roy Hart International Artistic Centre, Southern France |
Galerie du Petit Temple - Lasalle, 5km from Maleérargues |
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The "classic" festival formula, with workshops mornings and afternoons, lectures and performances in the evenings, will this year include special events at the Galerie du Petit Temple of Elisabeth Gérony in neighbouring Lasalle, with an exhibition of paintings by Enrique Pardo.
It will host lectures by Anna Griève, Enrique Pardo and Xavier Papaïs, one of the most innovative philosophers in France in what he describes as "neoplatonic anthropology", involving a redefinition of the notion of MAGIC.
FRANCAIS | ESPAÑOL
History & Archives of the Festival
Homage to James Hillman |
July 1 to 12 2015
Malérargues, Southern France
Arrivals Tuesday June 30
Departures Monday July 13 |
Directed by Enrique Pardo and Linda Wise
Invited guests: Anna Griève, Xavier Papaïs, Daniela Molina, Pierre François Blanchard, Laura Fuentes and other lecturers and artists (to be confirmed.)
12 days with three half-days rest. 6 hours of workshops per day plus evening lectures and performances. |
ATELIER mornings 9:00 - 13:00
Linda Wise : Voice Performance
Mornings , preceded by warming-up sessions.
Voice training: working all together, and divided into two or three groups for individual vocal work
In collaboration with pianist composer Pierre-François Blanchard |
MASTER CLASS afternoons 14:30 - 17:00
Enrique Pardo : Choreographic Theatre
Afternoons : master classes with the intervention of different musicians.
In collaboration with the members of the Voice Performance Group: Juliette Flipo,
Pierre Jeammes,
Pierre-François Blanchard,
Régine Coqueran,
Véronique Taconet.
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9:00 - 10:00 |
Movement classes / Warm-ups |
10:00 - 13:00 |
Linda Wise - atelier plus voice lessons in small groups. Voice, singing and voice performance.
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14h30 - 17h |
Enrique Pardo - master classes
Choreographic theatre
with the inclusion of voice performance / Roy Hart work, and texts.
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evenings |
Performances, lectures, debates |
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INFORMATION & INSCRIPTION
Prix : 850€
Reductions: under-30
active members of Pantheatre
Pantheatre Chile and Pemehue
registrations to 2 projects SUMMER 2015
The Art of Interpretation, Linda Wise,
and the BILBAO project late July
Registration
Write to PANTHEATRE; Include a brief CV and a motivation letter if this is your first time working with Pantheatre.
Confirmation - Deposit: if your application is accepted, your place will be reserved . It will be confirmed on receipt of a deposit of 200€ payable to "Pantheatre".
Refunds are possible until June 5, minus 50€ administrative costs.
Payment - See: http://www.pantheatre.com/pdf/payments.pdf
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Housing - IMPORTANT book at the earliest. Check PRACTICAL INFORMATION .
March 2015 ; the 20 lodging places at the Roy Hart Centre are now taken. Cancellations are likely. Check CONTACT
PANTHEATRE will send alternatives - especially the Camping La Pommeraie (20 minutes walk) very comfortable, with swimming pool, and quiet before July 14th.
Travel - Via Nîmes, Montpellier or Marseille .
Check http://www.pantheatre.com/pdf/buses-trains.pdf
and practical information on the website of the Roy Hart Centre
Arrivals Tuesday June 30. Departures Monday, July 13.
REGISTRATION & INFORMATION
in collaboration with
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PREAMBLE
Two notes as a preamble to the 2015 theme
Performance and Possession
1 - from the 2013 SPIRIT(s) Festival archive:
In 334 BC rumour had it that a statue of Orpheus in Pieria, Macedonia, was found drenched in sweat. For the soothsayer Aristander of Telmessos, the prodigy predicted that poets and singers would have to sweat heavily in order to comment and celebrate the achievements of the new-born prince: Alexander the Great.
The 20th century should now close its balance sheet - particularly regarding the results of its scientistic skepticism.
We have to bring back Orpheus for a radical review of the nature and imp-act of SPIRIT(s) - I mean the frontiers of spirituality, psyche, imagination, emotions, dreams. In other words: fiction and theatre as laboratories of thought: SPIRIT(s). Given the residual resistance, we will have to "wet the shirt"!
2 - The Paris Charlie offices were a few hundred meters from the DTM studios where Pantheatre works. My position is the following::
I am Charlie
Religions begin where humour stops.
Religions stop where culture begins.
Religions are part of one of the most brilliant inventions of mankind: mythology, ie fiction.
Enrique Pardo
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